tell the full story on Buckle, since he rarely appears on the scene as an actor and would
seem, from the History, to have been ignorant of most of what was happening in his
offices (the Rhodes-Jameson connection, for example). This is difficult to believe.
not possible from this work to construct a complete record of who held various staff
positions. We are told, for example, that Flora Shaw became head of the Colonial
Department in 189O, but that ends that department as far as the volume is concerned.
There is considerable material on Miss Shaw, especially in the chapters on the Transvaal,
but we never find out w ho was her successor, or when she left the staff, or if (as appears
likely) the Colonial Department was a creation for her occupancy only and did not
survive her (undated) withdrawal from the staff; similarly the exact dates and positions of
men like Amery and Grigg are not clear.
3.
4. There were others, but they are not of primary, or even secondary importance in the
Milner Croup. We might mention Aubrey L. Kennedy (son of Sir John Kennedy of the
diplomatic service), who was on
intelligence in 1914-1919, diplomatic correspondent for the BBC in 1942-1945, and an
influential member of Chatham House since 1919.
5. E. Moberly Bell,
6. At the suggestion of the British Foreign Office, copies of these articles were
circulated in America and in Europe. See E. Moberly Bell,
228.
7.
8. All quotations are from
chapters 7 and 9.
9. See E. T. Cook,
opinion between Stead and the others can be traced in F. Whyte,
(2 vols., Boston, 1925), Ch. 21.
The failure of the plotters in Johannesburg to revolt so haunted the plotters elsewhere
that they salved their wounds by fantasy. Stead wrote this fantasy for
the Christmas 1896 number of the
to be turned into a smashing success by a heroic South African editor, who, when all
appeared lost, would rush to Johannesburg, stir up the revolt, and save the day. Garrett,
who was to be the original model for the hero, wrote back: "A suggestion which will help
to keep us distinct, give you a much grander theme, and do something for C.J. R. which
no one has yet dared—I went nearer to 'Cecil Rhodes' Dream' but that was a hint only:
viz. Make world see what he was driving at and what would have come if all had come
off and if Johannesburg had played up.... As to making me the hero. No.... But he must be
not only me but you also, and A. Milner, and a few more rolled into one, and he must do
what I dreamed of doing but time and space prevented." For the name of this hero Garrett
suggested combining the three names into 'Milner Garsted" or "Milstead." Ultimately,
Stead made the hero a woman. The new model was probably Flora Shawl The story
appeared with the title "The History of a Mystery." See F. Whyte, The Life of W. T.
Stead, 94-95
10. Even after the view of the majority prevailed, Stead refused to yield and published
his version of a proper defense in
1899). It was Stead's belief that preparation for"a raid" was a patriotic act which, if
confessed, would have won public acclaim rather than condemnation.
11. On this see
1938N, 1, 196-202.
12.
Moberly Bell's biography of Flora Shaw (183-188) that Buckle knew this fact at least by
24 May 1897, although Miss Shaw had previously written him a letter stating explicit!)
(probably for the record) that she had been acting without either Buckle's or Bell's
knowledge. The night before Miss Shaw testified before the Select Committee, Buckle
sent her a detailed letter of instruction on how to answer the committee's questions.
13. W. S. Blunt,
14. See
Chapter 7
1. L. Curtis,
There can be no doubt that the original inspiration for the Round Table movement was
to be found in anti-German feeling. In fact, there are some indications that this was the